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Richard Ledes’ The Dark Side / Alison Fornell

Richard Ledes’ The Dark Side positions its viewer on a critical edge. In The Pleasure of the Text, Roland Barthes argues that pleasure in written language springs from the collision of two edges, “an obedient, conformist, plagiarizing edge […] and another edge, mobile, blank (ready to assume any contours), which is never anything but the site of its effect” (6). 1,005 more words

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Buffalo Dreams 2016 Reveals Ambitious 105-Film Lineup Over 10 Days - Dread Central

Features Filmed in Western New York Two For One (Drama, Special Advance Screenings) Shortwave (Science Fiction, Western New York Premiere) Game Changers (Drama) Attack of the Killer Shrews (Comedy, Film Festival Premiere, hosted by Lloyd Kaufman) House on Ghost Hill Road (Horror, Film Festival Premiere) The Outlaw 666: The Beast (World Premiere) Libertaria: The Virtual Opera (Animated) 12 more words

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