The weight and legacy of Modernism embraced rather than avoided.
Instead an invitation to visit.
Firstly Roger Hilton- drunk and constantly with his poet friend. 72 more words
Gillian Ayres, Untitled (Abstract), pastel & charcoal on paper, 45.7 x 49.8 cm 1962/63. Reproduced courtesy Gillian Ayres. Schlee Collection, Southampton
Leon Kossoff, Christ Church, Spitalfields, Spring, 1992, etching and aquatint on paper, 84 x 64 cm, © Leon Kossoff. 569 more words
Roger Hildesheim was born in Northwood, Middlesex in 1911. The family name was changed to Hilton during the First World War due to anti German feeling. 564 more words
Grês Gādnr│GETÑ T NÔ RED (SPECTṚMSIYRIZ)│76 x 101 sm│Falṃʈ Ātgaḷri
Teri Frost│TIMḄLÊN A
Teri Frost│ƮRI FR TU
“Grês Gādnr wz fîv ẇn hr frst xperimnts in abstraẋn bgan, n hr lîf wz dvotd t abstract āt evr sns. 111 more words
“the emphasis on the layers of half-erased charcoal that results in a kind of web of allusive marks demonstrates the painting to be contingent and provisional, open to further change and development. 105 more words