Tags » Samuel Fosso

[Africans on China - Arts] Samuel Fosso: Emperor of Africa

A master of theatrical self-portraiture turns toward China.

by Olu Oguibe for Aperture

As a teenage photographer and commercial portrait–studio owner in Bangui, Central African Republic, in the 1970s, Samuel Fosso took turns between client sittings in his studio to reel off self-portrait after self-portrait, modeling the fashion of the day: colorful platform shoes, bell-bottomed pants, huge dark sunglasses, tight-fitted shirts, and blowout Jimmy Cliff rude-boy fisherman hats typical of postcolonial African urban youth of the period.

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Symbolism

Semiotics defines a sign as having two components, the physical form and the concept that it triggers; the signifier and the signified. Where there is no natural connection between these two components the sign is considered to be arbitrary or symbolic. 1,996 more words

Roland Barthes

Masquerades

At first it might be surprising that the earliest known self-portrait turns out to be a masquerade (i), but, as Roland Barthes (2) suggests, photography has a closer relationship with theatre than it does with painting so role playing, camouflage, mimicry, disguise and performance have been an integral part of photography from the very outset. 2,801 more words

Research And Reflection