A master of theatrical self-portraiture turns toward China.

by Olu Oguibe for Aperture

As a teenage photographer and commercial portrait–studio owner in Bangui, Central African Republic, in the 1970s, Samuel Fosso took turns between client sittings in his studio to reel off self-portrait after self-portrait, modeling the fashion of the day: colorful platform shoes, bell-bottomed pants, huge dark sunglasses, tight-fitted shirts, and blowout Jimmy Cliff rude-boy fisherman hats typical of postcolonial African urban youth of the period.

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