Tags » Sugimoto


After being set a college project to design a poster and programme cover for a production at this years Edinburgh International Festival. I perused the festival programme and there was only really one option which was really crying out to me (due to my not so slight obsession with all things related to the sea) and that was Wave Movements. 243 more words

Spectacle Island

“For me, it was very important to see the ocean, the big ocean.  I liked this image and I started to think about a series.  It had to do with the idea of ancient man, facing the sea and giving a name to it.  

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Roadside Roses

The king of Chinese or Japanese Thin Cleavers the Sugimoto # 7

I’ve had this king of cutters for a while and I’ve made no bones about it I’m a big Gyuto,Cleaver, Nakiri kind of guy because there’s nothing from chopping the smallest clove of garlic to the Biggest hunk of roast beast into see threw cuts if needed. 32 more words

Chef Knives

Research for Part 3: Traces of Time

Project 1: The frozen Moment

There is a pleasure and a beauty in this fragmenting of time that had little to do with what was happening. 1,742 more words


Obsessive artists/collectors

I don’t know why the Barbican gallery headlined their exhibition ”Magnificent Obsessions”, but the second part of the title gives a better idea of what to expect: ”The Artist as Collector”.

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Contemporary Art

sugimoto: the undecidability of seascapes

Searching for the Lacanian Real within the frames of Hiroshi Sugimoto’s Seascapes (1980-2002) is as quixotic as the transubstantiation of the same through language. In his photographs nothing deviates from the studium.  1,433 more words