I’m rewatching Take This Waltz (Dir. Sarah Polley, 2011) and in between donuts, I’m saving this week’s playlist that Spotify expertly curated for me – based on some really excellent algorithm that I have no idea where it took. 57 more words
Have you ever stuck to write romantic scenes? No need to worry. Saya punya lima film bagus sebagai rujukan!
Menjadi penulis fiksi roman tidak luput dari keringnya ide menulis adegan romantis. 426 more words
I’m working on a bunch of things at the moment, but none of them are postworthy yet. I was looking back over some of my older reviews (occasionally painful, often handy yardsticks) and I realised a) I’ve done a whole lot of reviews that haven’t made their way here and b) It’s a bunch of work I’ve already done just sitting there gathering e-dust. 946 more words
“Her narrative trajectory is best summarized by a sequence that bookends the film, one that, while a flash forward to the point in time at the end of the film, is also representative of the entrance point as well. 115 more words