Tags » William Gaddis
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“–Reading it? Christ no, what do you think I am? I just been having trouble sleeping, so my analyst told me to get a book and count the letters, so I just went in and asked them for the thickest book in the place and they sold me this damned thing, he muttered looking at the book with intimate dislike.
William Gaddis’ The Recognitions is a stylistically and generically conflicted novel. On one hand it is, as it is billed by Jonathan Franzen in its blurb, the “ur-text of postwar fiction,” initiating the noble tradition of ‘the penis novel’ (here being a synonym for maximalist, encyclopaedic, post-thing) in contemporary American letters, a tradition extended by William Gass, the aforementioned Franzen, Thomas Pynchon, David Foster Wallace, Don De Lillo &c. 881 more words
From Washington University’s marvelous Modern Literature Collection YouTube channel.